OAK
Stephen Taylor
Stephen Taylor’s new series of work
is all based around one tree. An oak tree
on the outskirts of Colchester, in Constable
country, has been the focus of his attention
for the past 3 years. He has observed and
painted this tree throughout the seasons,
at different times of day, and in different
lighting environments.
Confronted with so many perspectives on
one subject, the viewer becomes increasingly
aware both of the environment surrounding
the subject, and of the changes happening
to the tree itself. The surrounding environment
changes dramatically in light and colour;
other objects come and go, aeroplanes, wildlife,
crops and even people pass around the tree.
The tree, too, goes through its own changes.
The oak, which has been there for so many
years, loses its leaves and then blossoms;
is covered in rain and snow; ultimately
reflecting the weather and climate around
it. The more we observe the same subject
in its habitat, the more we are aware of
the changes that are happening around it.
This repartition allows the artist to draw
attention to the small differences around
it.
The oak tree is a record of the years in
which it has stood in the field, and all
that has gone on around it. Its rings will
reflect each season differently and any
change in weather, air or even physical
contact is recorded. As the artist records
the tree and its passing of time, he begins
to mimic the oak tree. The artist goes to
the same field at different times of day
and year, to sketch or paint the tree in
rain, snow or shine, in daylight and at
night time. His recording begins to be quite
scientific as he relentlessly tries to document
the changing tree and its environment.
The style of painting enhances his scientific
approach. The tree and its surroundings
are chronicled as exactly as possible. Each
branch, each leaf, each piece of earth or
blade of grass is recorded as the artist
perceives it. He is as true to reality as
he can be. But as with as method of recording,
the filter through which the facts are represented
cannot be completely accurate, and it is
through these difference that we start to
learn about the artist.
This series of paintings and its repeated
representation of the same subject compels
the viewer to understand the passing of
time in this field as it is experienced
through the eyes of Stephen Taylor.
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